An analysis of chuck palahniuks novel fight cuba
Angrily emerging from a torrential rainstorm, her "face without a jaw, with its throat just ending in a sort of hole with the tounge hanging out" fully exposed, wielding a double barreled shotgun, and wearing nothing but the still-smoldering remnants of a burnt feather boa and a mangled Frederick's of Hollywood nightie, she terrorizes the hotel's snooty patrons, her outlandish visage clashing comically with her luxurious surroundings.
Pig Dog Brother - Pygmy's nickname for his host brother, who is portrayed as an immature preteen. Along the way, the trio support their drug habits by posing as prospective home buyers in order to steal prescription drugs from the houses they visit, all the while enaging in various forms of unwholesome sexual highjinks.
Revered all her life for her stunning beauty, the heroine is forced after her accident to confront the fact that she has based her entire identity on a consumer-based facade.
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Style[ edit ] Pygmy is an epistolary novel. The specter of our heroine's presumed-dead gay brother whose face, coincidentally, was destroyed by an exploding can of hairspray looms ominously over the group, forging their destiny. As the heroine and her cohorts hurtle toward their date with destiny, dark secrets are revealed, and their carefully constructed exteriors begin to rupture and regenerate, unearthing a world where no one and nothing is as it seems. Pygmy lambasts American culture and society through its comically biased first person narrative, often with humorous effects. Revered all her life for her stunning beauty, the heroine is forced after her accident to confront the fact that she has based her entire identity on a consumer-based facade. She often sneaks into her father's highly secure work place to steal basic office supplies, having perfected the practice enough to refer to herself as a spy. Prose erupting in rapid bursts of flashbacks and flashforwards creates a frenetically breakneck pace, allowing no two passages to follow one another in temporal order, and creating a disorienting chinese box of a novel that folds into itself then bursts out in new directions on every page. Pygmy, however, defends "Pig Dog Brother" from the school bully, Trevor Stonefield, on the first day of his arrival in the U. Marla writes him letters while he recovers in the hospital. As with many other Palahniuk novels, there are numerous small themes woven throughout the novel. The Narrator loses consciousness again, and finds himself at the top floor of a skyscraper right where he was at the beginning of the novel. Pygmy's host sister is shown to be a highly cynical, beautiful girl whose hobbies include electrical engineering. Copy to Clipboard.
Answer: When half of that perfect face is horribly blown away in a freakish highway shootout, causing said supermodel to wrestle with society's oppressive standards of beauty while careening wildly across the country seeking revenge on her mysterious assailant. The Narrator notices that he, Tyler, and Marla are never in the same room together.
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One evening, The Narrator gets a call at work from Tyler, telling him to get into a Project Mayhem car waiting for him. For all of Palahniuk's prickly social commentary and stylistic weirdness, he ultimately allows his embattled heroine a suprisingly poignant conclusion, as she discovers her true self amongst the violently campy excess of the story's chaotic finale, which somehow manages to be both completely logical and utterly implausible. Meanwhile, fight club becomes bigger and bigger, to the point where other chapters spring up across the country. Throughout, Palahniuk's style cleverly mimics his analysis of identity, as the flashy surface of his writing veils the deeper meanings imbedded within the text. Palahniuk's delight in brutally juxtaposing superficial beauty with its underlying hideousness becomes a recurrent motiff in several hilariously over-the-top set pieces, such as a horrifying fashion shoot staged in a slaughterhouse, or the heroine's late-night rampage through the lobby of a posh hotel. Prose erupting in rapid bursts of flashbacks and flashforwards creates a frenetically breakneck pace, allowing no two passages to follow one another in temporal order, and creating a disorienting chinese box of a novel that folds into itself then bursts out in new directions on every page. Style[ edit ] Pygmy is an epistolary novel. The novel is told almost entirely in flashbacks. Surface identites become ephemeral and arbitrary, as easily discarded as a polyester pantsuit.
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